![]() It’s a hamfisted (hamclawed?) metaphor for Apartheid, yes. Humans are the real monsters in “District 9,” director Neill Blomkamp’s sobering sci-fi imagining of crustraceous aliens rounded up and placed in rundown encampments in the filmmaker’s home country of South Africa. Image Credit: ©Sony Pictures/Courtesy Everett Collection To keep things interesting, two restrictions apply: (1) only one movie per franchise and (2) it’s the remake or original. Ranging from the disturbingly goofy (“Bad Taste,” “Slither,” “Mars Attacks!”) to the menacingly mean (“Alien,” “Invasion of the Body Snatchers,” “Nope”), here are the 25 scariest alien movies ever made. ![]() Along the way, these filmmakers have made salient points about human nature, questioning what we owe to one another in the face of certain doom. Night Shyamalan, James Gunn, and Jordan Peele are among the Hollywood heavyweights who have set their twisted imaginations to actually creating these encounters for the big screen. John Carpenter, Steven Spielberg, Peter Jackson, M. But the fourth kind: there is nothing more frightening than the fourth. The second kind is when you see evidence of it: crop circles or radiation. An encounter of the first kind, that’s when you see a UFO. Alien flicks further distinguish themselves through the subgenre’s unparalleled ability to explore the unknown, conjuring up heinous fates for humans so sweepingly sadistic few other films can attempt them.ĭirector Olatunde Osunsanmi’s “The Fourth Kind” enumerates the taxonomy of human-alien interactions well: “They have different categories for these types of things, different levels. The scariest alien movies terrify in many of the same ways the scariest earth-bound horror movies do: building (and sometimes killing) likable characters producing otherworldly visual displays with seriously grim implications getting the jump scares, if applicable, timed just right and daring to put the unimaginably terrible on screen. It makes sense that audiences would turn to the skies in the 21st century: a time of existential ennui that’s left many screaming for escape and wondering “What else?” But where the enduring nostalgia of “E.T.” or the effortless charm of “Earth Girls Are Easy” might have made emotional contact in the past, a burning need to really feel something has festered. Just as brilliant and funny as Wright’s other films, The World’s End is mandatory viewing.Aliens are never far from the pop culture hive mind. Just as they’re all about to abandon Gary’s fool’s errand, a fight in a men’s room reveals almost all of Newton Haven’s residents have been replaced with aliens, and the movie turns into an entirely different animal. All of Gary’s friends have moved on with their lives, especially Andy (Nick Frost), who went sober years before. Stuck in the “glory days” of his youth, Gary (Simon Pegg) recruits his four old friends to return to their hometown of Newton Haven in order to complete the Golden Mile - a visit to each of the town’s 12 pubs with at least one beer downed at each stop, concluding at The World’s End. Director Edgar Wright began his Cornetto Trilogy with a send-up of the zombie genre (Shaun of the Dead), continued it with an action parody ( Hot Fuzz), and surprised everyone by finishing it off with The World’s End which, while certainly having a lot of fun with alien-invasion movies, doesn’t have quite as high a parody percentage as the earlier films. For a significant chunk of The World’s End, the film works as nothing more than a funny but poignant dramedy.
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